Tyler’s Third Act
Mick Garris; William Stout (Illustrator)
Cemetery Dance, Sep 2012, $35.00
ISBN: 9781587673016
Tyler Sparrow’s first act was as a television script writer. That gig ended with the 2007 Writers Guild strike as the stations’ management and accountant learned viewers loved cheaper reality shows so they inundated the market during and after the strike. Script writers like Tyler were unemployed in his second act.
Desperate as he is running out of resources, Tyler creates a third act. He develops a bloody gory show You Want a Piece of Me for an Internet only audience with a final curtain call that he believes will make him a household name as he will satiate the blood-curdle mob.
Mindful of the movie Network, Tyler's Third Act shines a discomforting spotlight on reality shows and the culture that supports these shows through spectators observing a Christians and the Lions last person-beast standing competition as each new gig requires increasing violence. With strong illustrations enhancing the plot, readers will act like Tyler’s audience macabrely fascinated with a need to know the climax of Tyler’s Third Act in what is a solid contemporary allegory.
Harriet Klausner
Mick Garris; William Stout (Illustrator)
Cemetery Dance, Sep 2012, $35.00
ISBN: 9781587673016
Tyler Sparrow’s first act was as a television script writer. That gig ended with the 2007 Writers Guild strike as the stations’ management and accountant learned viewers loved cheaper reality shows so they inundated the market during and after the strike. Script writers like Tyler were unemployed in his second act.
Desperate as he is running out of resources, Tyler creates a third act. He develops a bloody gory show You Want a Piece of Me for an Internet only audience with a final curtain call that he believes will make him a household name as he will satiate the blood-curdle mob.
Mindful of the movie Network, Tyler's Third Act shines a discomforting spotlight on reality shows and the culture that supports these shows through spectators observing a Christians and the Lions last person-beast standing competition as each new gig requires increasing violence. With strong illustrations enhancing the plot, readers will act like Tyler’s audience macabrely fascinated with a need to know the climax of Tyler’s Third Act in what is a solid contemporary allegory.
Harriet Klausner
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